I'm guest blogging for New York Times Best Selling author Deanna Raybourn today. I'm writing about Victorian Children and the struggles they faced.
If you want to learn more about my forth coming book THE DEAD AMONG US, stop over.
http://deannaraybourn.com/blog/in-which-we-welcome-tracy/
Monday, December 30, 2013
Guest Blogging: Victorian Children
Wednesday, October 30, 2013
Salem Witch Trials
October has a real historic connection to witches but it’s
not about Halloween or ghostly ghouls. A real life horror took place in North
American three hundred years ago that resulted in the deaths of 19 innocent
people and only came to an end during the month of October many, many moons
ago.
In January 1692, three preteen girls became ill, suffering
fits of hysteria, arching their backs, screaming uncontrollably and pointing to
figures that weren’t there. After three hundred years the cause of the sudden outbreak
remains debated. More recently scientists have suspected tainted wheat as the
culprit, identifying a certain strain of mold that could have brought about the
girls antics. Others suggest it was all a game, a series of tricks to bring
some excitement to their otherwise monotonous and homogeneous lives.
It cannot be blamed
entirely on the girls, however. Medical science of the day was largely based on
superstition and an old boys’ club of information being passed on down through
the graduating classes with little scientific advancement. This was largely
because autopsies were not permit and so indepth studies could not be done to
learn the true workings of the physical body. When the girls became sick the
doctor, limited by his archaic training, said it was the work of the
supernatural. The Witch Craft Craze that had been stagnant in Europe for over
300 years was winding down (tens of thousands of accused witches, many of them
women, lost their lives during that time) but that seemed to have little effect
on the hysteria that betook the New England town of Salem.
Hounded by the local magistrates to confess the origins of
their bewitched ways, the girls pointed an accusatory finger at three local
women: Tituba, a slave from the Carribean, Sarah Good, a homeless woman and
Sarah Osborne, an old, impoverished woman. All three were brought before the
court and while Good and Osborne denied the accusations, Tituba confessed
saying the devil bid her to do it. Interestingly Tituba survived the year-long
hysteria of accusations and executions while the two Sarahs did not.
Many women were brought before the court including Martha
Corey, a devoted church attendee. It took little to accuse a person of
practising witch craft in those days. All it took was a single word and like
children in a modern school yard the people of Salem Village and Salem Town
were quick to point fingers to others in the hopes it would keep suspicion away
from them. In May 1692 a special court, the Court of Oyer and Terminer, was convened to deal with large numbers of
supposed witches and the first person brought forth was Bridget Bishop, an
outspoken older woman who had taken to wearing red (the devil’s colour) and was
known to be promiscuous. She was tried, found guilty and was the first to hang.
Spectral evidence was all that was needed to deem a person
guilty. A dream or vision seen solely by an accuser was the only evidence
required to sign a person’s death sentence. After Bishop, five people hanged in
July, five more in August and then eight lost their lives in September. It’s
hard to imagine how accusers slept at night knowing they had sent a number of innocent
people to early graves.
In October two men,
Cotton Mather, a respected minister in the area, and his father Increase
Mather, then president at Harvard, denounced the use of spectral evidence.
Governor Phipps agreed, though this may have something to do with his own wife
being accused of witchcraft.
Witch House in Salem where Jonathon Corwin lived while persecuting the women
On October 29th,
1692 the Court of Oyer and Terminer was dissolved. The damage had already been
done. 19 people lost their lives including Giles Corey, a 71 year old man who
was pressed to death under tonnes of rocks in a slow, painful torture.
By May 1693 56
people were discharged from jail, though they were still required to pay money
to the town to cover their confinement costs! Overall nearly 200 people had
been accused of witchcraft.
To read about
my family’s modern day trip to Salem, Massachusetts and see more pictures, visit Mysteristas,
where I had the opportunity to guest blog about our experience.
Tuesday, September 24, 2013
Time Stamp
Yesterday I ventured to a nearby archaeology here in southern Ontario where historians have found evidence of a native long house village. In the 1800s the Crawfords, a pioneer family settled along the shores of a small lake in the Niagara Escarpment. Though they lived on this land for a short period, during that time they found countless artefacts linking the area to a native village that once stood on the site in the 1400s. Because of their discoveries the lake was named after them and today the land is a conservation area boasting reconstructed long houses and archaeological dig sites.
The largest artefact found on the site is a stone once used to ground dried corn. You can see in the picture how the rock had been indented and when I felt the surface it was smooth. The guide, who was a member of the First Nations, explained how the tribes people received their calcium needs from small particles of rock that would end up in the food after grinding.
The village housed over 250 inhabitants, men, women and children of the Iroquion nation lived here for a short time but left their mark on the landscape nonetheless. Corn pollen had been found at the dig sites and carbon dating assisted in tracing the time period for when the village would have thrived.
In recent years I have developed an interest in native culture and its historical context. It was not really my intent to write a book involving this time period of North America. I doubt I could ever truly capture the essence of their belief structures or their way of life. I am however working on a fur trade mystery set in the Canadian Rockies and I am glad I will get an opportunity to look into the lives of the Native tribes from that place and time. My research continues and my knowledge grows. This book will be different from my Ainsley books and it's a prospect that excites me and scares me at the same time.
I recently read a book, People of the Long House by W. Michael Gear and Kathleen O'Neal Gear. The book is really good and I devoured it quickly. It's part of a long series that I will complete because I just need to know what happens. Suspenseful, educating and fascination, this book is great for anyone looking to escape into native culture, the good, the bad and the terrifying.
The largest artefact found on the site is a stone once used to ground dried corn. You can see in the picture how the rock had been indented and when I felt the surface it was smooth. The guide, who was a member of the First Nations, explained how the tribes people received their calcium needs from small particles of rock that would end up in the food after grinding.
The village housed over 250 inhabitants, men, women and children of the Iroquion nation lived here for a short time but left their mark on the landscape nonetheless. Corn pollen had been found at the dig sites and carbon dating assisted in tracing the time period for when the village would have thrived.
In recent years I have developed an interest in native culture and its historical context. It was not really my intent to write a book involving this time period of North America. I doubt I could ever truly capture the essence of their belief structures or their way of life. I am however working on a fur trade mystery set in the Canadian Rockies and I am glad I will get an opportunity to look into the lives of the Native tribes from that place and time. My research continues and my knowledge grows. This book will be different from my Ainsley books and it's a prospect that excites me and scares me at the same time.
I recently read a book, People of the Long House by W. Michael Gear and Kathleen O'Neal Gear. The book is really good and I devoured it quickly. It's part of a long series that I will complete because I just need to know what happens. Suspenseful, educating and fascination, this book is great for anyone looking to escape into native culture, the good, the bad and the terrifying.
Monday, May 27, 2013
The Birth of Another Book
For writers a book is almost like a child. We spend countless hours tending to it, nourishing it, training it into the finished product we had envisioned it to be. During the weeks prior to my first book's release I was a nervous wreck. I wanted it to do well. I wanted readers to enjoy it and get lost in it. It was hard to set it free into the world without overwhelming feelings of anxiety. I dreaded a one-star review or somehow loosing respect amongst my peers should it be proven to be drivel. None of these things happened of course, but I feared it nonetheless.
In the end the process of letting the book go, of allowing it to be found and read, was quite liberating. The finished product has found finality and the only thing left for me as a writer to do was sit down and write another one.
Last week, I set another darling free. Into the world my book, DEAD SILENT, went. A sequel to my first book, this volume addresses unanswered questions left over from it's predecessor and introduces us more to Ainsley's and Margaret's character. We meet Evelyn Weatherall, the woman engaged to Ainsley's brother, and Julia Kemp, Margaret lady's maid. And my person favourite, we are introduced to Lady Gemma Brant, a friend of Lady Charlotte Marshall and a character in her own right.
So while I work on book 3 in the series, enjoy your read through Dead Silent and don't forget to put a review up on Amazon.
From the backcover....
In the end the process of letting the book go, of allowing it to be found and read, was quite liberating. The finished product has found finality and the only thing left for me as a writer to do was sit down and write another one.
Last week, I set another darling free. Into the world my book, DEAD SILENT, went. A sequel to my first book, this volume addresses unanswered questions left over from it's predecessor and introduces us more to Ainsley's and Margaret's character. We meet Evelyn Weatherall, the woman engaged to Ainsley's brother, and Julia Kemp, Margaret lady's maid. And my person favourite, we are introduced to Lady Gemma Brant, a friend of Lady Charlotte Marshall and a character in her own right.
So while I work on book 3 in the series, enjoy your read through Dead Silent and don't forget to put a review up on Amazon.
From the backcover....
Peter Ainsley's mother, Lady Charlotte
Marshall hasn't been seen or heard from in three days. While
Inspector Simms of Scotland Yard is 'unofficially' investigating her
disappearance, Ainsley and his sister, Margaret, are loathed to
reveal knowledge of their mother's affair despite it being their best
lead to her whereabouts.
When Insp. Simms brings a body to St.
Thomas Hospital's morgue, Ainsley is forced to admit his double life
as morgue surgeon and second heir to the Montcliff earldom. With a
new found ally in the police force, Ainsley gains access to
information about his mother's disappearance and a new mystery
regarding a murdered woman with childhood ties to his future
sister-in-law, Evelyn Weatherall.
Scandal threatening two sides of
Ainsley's family, the young surgeon uncovers an intricately woven
tapestry of deceit, lust and a crime that forces him to decide
whether family loyalty supersedes the letter of the law.
Thursday, April 4, 2013
Author Blog Hop
Much thanks to Catriona Crehan at http://www.catrionacrehan.blogspot.com, for inviting me to participate in this blog hop.
2: Where did the idea come from for the book?
3: What genre does your book come under?
4: Which actors would you choose to play your characters in a movie rendition?
5: What is the one-sentence synopsis of your book?
6: Is your book self-published, published by an independent publisher, or represented by an agency?
7: How long did it take you to write the first draft of your manuscript?
8: What other books would you compare this story to within your genre?
9: Who or what inspired you to write this book?
10: What else about your book might pique the reader’s interest?
1.What is the working title of your book?
My forthcoming book is called DEAD SILENT and is the second book in the Peter Ainsley mystery series.
2: Where did the idea come from for the book?
I started the series after I conceived of an idea about a Victorian doctor who solves mysteries through dissection and exploration of the darker side of Victorian culture. Victorian mysteries are quite popular but I have yet to find an author who tackles the time period as I have.
3: What genre does your book come under?
My main genre is historical mysteries but I am finding as the series progresses (I am currently writing book 3) a bit of romance is making an appearance and changing some of the undertones. It's still dark and mysteries but there is always hope.
4: Which actors would you choose to play your characters in a movie rendition?
That is a very tough question. I'd love to see Adrienne Brody playing Ainsley,
or even Jonathon Rhys Meyers.
or even Jonathon Rhys Meyers.
Margaret would ideally be played by Anne Hatheway ...
and Jonas, Ainsley's school chum and rival, would be best portrayed by Eliot Cowen (Mr. Darcy in Lost in Austen).
5: What is the one-sentence synopsis of your book?
Peter Ainsley's mother, Lady Charlotte Marshall hasn't been seen or heard from in three days. While Inspector Simms of Scotland Yard is unofficially investigating her disappearance Ainsley is loathed to reveal knowledge of his mother's affair despite it being the best lead to her whereabouts.
6: Is your book self-published, published by an independent publisher, or represented by an agency?
I am dedicated to self-publishing the Peter Ainsley mystery series so that the whims of traditional publishers and the fickle book buyers market does not dictate whether the series lives on or ends because of a lull in the market.
7: How long did it take you to write the first draft of your manuscript?
DEAD SILENT took me seven months to complete with another two to three months for revisions and edits.
8: What other books would you compare this story to within your genre?
I would love to say my books are similar to Deanna Raybourn's Lady Julia Grey series but with a darker bent and male point of view.
9: Who or what inspired you to write this book?
I was inspired by my husband who is quite scientifically minded, and much more versed on the subject than I am. His methodical nature and attention to minute details is what I have base Ainsley's personality on, even his loveable arrogance has roots in my husband. Ainsley's habit for the drink is entirely fictional, but his dedication to the sport of boxing is reminiscent of my husband's progress in the martial art of Aikido.
10: What else about your book might pique the reader’s interest?
Within each book I try to highlight a part of Victorian society that may be consider obscure or lesser known, especially dealing with the Victorian people's obsession with death, spectres and the macabre. It truly is a fascinating time in history where scientific advancement collided with the superstitions of old. It was an age of great change, a gateway into our modern times and I don't foresee me ever running out of interesting things to write about.
Here's blog addresses for other mystery writers who you might like:
Deanna Raybourn http://www.deannaraybourn.com/
Caro Peacock http://www.caropeacock.com/
Rhys Bowen http://rhysbowen.com/
Hallie Ephron http://hallieephron.com/
Anna Lee Huber http://www.annaleehuber.com/
Dara England http://daraenglandauthor.com/
Tasha Alexander http://www.tashaalexander.com/
Tuesday, March 26, 2013
Dead Silent Cover
The cover for DEAD SILENT has been finalized and I am pretty proud of it.
I adored my cover for CHORUS OF THE DEAD and for months I agonized about whether I would be able to carry on that theme effectively. My mysteries are not feel good historicals. They highlight the worst of ourselves and the society that the Victorians created. My covers need to reflect the pompous elegance and dark seedy nature that was Victorian London.
The release of DEAD SILENT is only months away. Stay tuned for all the details.
I adored my cover for CHORUS OF THE DEAD and for months I agonized about whether I would be able to carry on that theme effectively. My mysteries are not feel good historicals. They highlight the worst of ourselves and the society that the Victorians created. My covers need to reflect the pompous elegance and dark seedy nature that was Victorian London.
The release of DEAD SILENT is only months away. Stay tuned for all the details.
Thursday, February 14, 2013
History of the Valentine
Who doesn't love receiving a lovely card or personalized note in the mail? Nothing says you matter like someone taking the time to write out their thoughts and making it decorative.
Did you know the modern idea of the Valentine's card originated in the 1400s. Originally known as 'amorous addresses', the first valentine was penned in 1415 by Charles the Duke of Orleans. Imprisoned in the Tower of London after the Battle of Agincourt, the duke wrote romantic poems for his wife back in France. These hand written valentines can be seen among the royal papers in the British Museum.
Since then the Valentine card morphed to include flower exchanges in the 1700s and then in 1840s there was the introduction of Daguerreotype, a tin type photographic process that showed a picture of a person with an ornamental wreath framing them. The mirror valentine was also popular, which was basically a mirror in the middle of the card reflecting the image of the recipient back at them.
By far my most favourite Valentine's are the ones that originated in Victorian times. Thanks to advances in printing processes, Valentinie's became amazingly popular. Dubbed 'Penny Postcards', because they cost a penny to send the mail, were collected and displayed in Victorian households around Valentine's day. Family and friends who came to call would flip through albums of Valentine's card and sometimes trade Valentine's. Many examples of these Victorian cards remain today simply because of the sheer volume of cards created and because they were stored safely in treasured albums.
What a great way to perk up the dreary month of February!
Did you know the modern idea of the Valentine's card originated in the 1400s. Originally known as 'amorous addresses', the first valentine was penned in 1415 by Charles the Duke of Orleans. Imprisoned in the Tower of London after the Battle of Agincourt, the duke wrote romantic poems for his wife back in France. These hand written valentines can be seen among the royal papers in the British Museum.
Since then the Valentine card morphed to include flower exchanges in the 1700s and then in 1840s there was the introduction of Daguerreotype, a tin type photographic process that showed a picture of a person with an ornamental wreath framing them. The mirror valentine was also popular, which was basically a mirror in the middle of the card reflecting the image of the recipient back at them.
By far my most favourite Valentine's are the ones that originated in Victorian times. Thanks to advances in printing processes, Valentinie's became amazingly popular. Dubbed 'Penny Postcards', because they cost a penny to send the mail, were collected and displayed in Victorian households around Valentine's day. Family and friends who came to call would flip through albums of Valentine's card and sometimes trade Valentine's. Many examples of these Victorian cards remain today simply because of the sheer volume of cards created and because they were stored safely in treasured albums.
What a great way to perk up the dreary month of February!
Wednesday, February 13, 2013
Historical Mystery Challenge
I've decided to participate in an Historical Mystery Challenge hosted by Ariel over at Mysteries And My Musings.
The premise is simple, read 7 historical mystery novels between February and June and then blog about it.
So here is a list of the some books I'd like to conquer over the next few months.
The Yard, Alex Grecian
Death Comes to Pemberly, P.D. James
The Edinburgh Dead, Bryan Ruckley
The Haunting of Maddy Clare, Simone St. James
Trumpets Sound No More, Jon Redfern
Newes from the Dead, Mary Hooper
I'm open to suggestions as well because I am always looking for a good mystery.
This is going to be hard since I just got a great book in the mail, Victorian London: A Tale of a City 1840-1870 by Liza Picard. Sounds like I have a lot of reading to do.
The premise is simple, read 7 historical mystery novels between February and June and then blog about it.
So here is a list of the some books I'd like to conquer over the next few months.
The Yard, Alex Grecian
Death Comes to Pemberly, P.D. James
The Edinburgh Dead, Bryan Ruckley
The Haunting of Maddy Clare, Simone St. James
Trumpets Sound No More, Jon Redfern
Newes from the Dead, Mary Hooper
I'm open to suggestions as well because I am always looking for a good mystery.
This is going to be hard since I just got a great book in the mail, Victorian London: A Tale of a City 1840-1870 by Liza Picard. Sounds like I have a lot of reading to do.
Tuesday, January 29, 2013
Trade Paperback Giveaway of CHORUS OF THE DEAD
Soon in trade paperback, Chorus of the Dead is being featured in a GIVEAWAY this week over at my Facebook page.
http://www.facebook.com/TracyWard.Author
Pop over for the details!
http://www.facebook.com/TracyWard.Author
Pop over for the details!
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